The image is taken from the video performance Essere Corpo, a sensory exploration that restores the body’s original role as a bridge between humans and nature. Through movement, the artist seeks to dissolve the layers imposed by a patriarchal and capitalist reality that separates, controls and forgets. The body becomes a living archive of oppression and memory, but also a place of rebirth: a realm in which primordial origins re-emerge as a pulsating force.

The dance with the earth is not a representation but a ritual – a gesture of recomposition that restores continuity between what has been divided. In the interplay between body and landscape, the artist recognises an ancient, shared and feminine form of knowledge in which humanity and nature reflect one another. This demonstrates how nature can be seen as a common good rooted in ancient traditions.

In this cyclical dimension of loss and return, black and white becomes an essential language, capable of bringing out the purity of movement and the rhythm of breath.

In The NeverEnding Story, fragments of antique stained glass are given new life, shedding part of their previous identity in order to merge into a new work.

The piece represents an ouroboros, formed from fragments originating from different places and periods. These elements are transcultural, like the iconography of the serpent biting its own tail – a symbol that, from ancient times to the present day, has embodied transformation across cultures worldwide. The ouroboros symbolises the cyclical nature of life and the union of opposites. It represents the culmination of relationships, the end of one element in the beginning of another; the alchemical cycle of transformation, the impossibility of life without death and vice versa, the one and the whole, the individual and the multiple. It is energy that is endlessly consumed and regenerated.

The NeverEnding Story is also a wish – an invitation to keep imagining anew.